Donna (2017), film still

Donna

About this Short Film

No description available for this film.

Film Details

Country: Australia
Festival Year: 2017
Filmmaker: Jaina Kalifa

Film Transcript

dalla got to think of poor memory and I muck around with that thing here. No, I'll try diesel. Tried our entire cuffing hour, and I decided to focus on milestone memory, the milestone doll key market in my life.

So the first one: memory of being at the school, at the desk when I was a child. I turned my hearing aid off and I make my art word just spoken a lot more quickly into the world. I would like the desk or school to death for five years and we're very college because all of us, we were the only deaf child in hearing families. So you in the family, you're isolated; your birth family, you're isolated, and so your siblings are in fact are my friends. It's just Google Charenton, one side of me, and Kade on the other side of me, in the middle a little bit punk. We're still in touch. I feature maybe two or three times a year and pay every Christmas. Doctor on consoles chosen to stay in touch. The continuous narrative thread in my commitment to social justice: so whatever I do about making sure is not just about me, about working for other people.

Next looked like being a public servant — social work, of research and academic. At the same time I've always worked towards maintaining a creative life and, as a creative arts researcher, I'm very interested in interdiction clean creative art and disability and was that down like a very proposed based on the topic, especially quite a joyful topic, very interesting. My professional life was disrupted — happily disrupted — by the birth of my son Jax.

But this is one of my favourite food of Jax and playing the jack-in-the-box. I loved his fur. I had him in a stroller and I went to the local shop, and then it started raining and I slice it off raining and judgment it with. And so then was the stroller — then the stroller to get him home and quicker potable — and I ran and ran all the time. I think in a court shot he can adopt: they're going to throw him and wonder what's going on. I go home and whipped around in front of the actors, apologised, and he was laughing. If I look at a little hair slicked back and win, quit it with the best adventure he'd ever had. The jest I'd have caught it in 1987, his father heart my soul, and he obviously always with me.

So this is my remembering a fish show. We could have had a very good education and very good work opportunity. I think it's very important that I continue to contribute, that I will give what I've got — the colour and a flash of that he'll want my life now. Not regimented, my schedules and protocol; I want to just flash our.

Filmmaker

Jaina Kalifa is the filmmaker behind this entry. See every Focus on Ability entry from Jaina Kalifa.

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2 comments
J
Juliette Kalifa 27/07/2017

Speaking of ability such a gentle insight into a meaningful life.

K
Karenza Ebejer 25/07/2017

This is a beautiful story - it really gives her art so much more meaning to the viewer.

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